There’s nothing like browsing through hundreds of Christmas books right after Halloween to get you in the holiday spirit. Even better is spending hours searching through every box for cookie cutters that were listed under the wrong number. Jokes aside, it was an endless pleasure to pour over colorful illustrations of Santa Claus and pick the perfect pages to display for the campus community. Every year, Special Collections puts together an exhibit of books from the Nancy H. Marshall A Visit from St. Nicholas Collection of books. Coming up with a unique theme for this yearly “‘Twas the Night Before Christmas” exhibit was the toughest part until I considered what college students think about most during Finals Week (or at least what I did in college): cookies. I doubt many of you have tasted sugarplums, but the sentiment still holds. I even found the version of The Night Before Christmas that I read as a child. There’s certainly nothing better than a project that involves nostalgia and cookies.
Can you type without looking at the keyboard? This used to be a skill taught to people who wanted secretarial or clerical jobs. Now of course many of us type quickly because we use computers on a daily basis. But what about the predecessor to the keyboard we know? This is it – a typecase, filled with individual letters which had to be assembled by hand to create anything which needed to be printed.
On February 11 the exhibition, Written in Confidence: The Unpublished Letters of James Monroe, opened to the public. Featuring 12 letters from the recently-acquired 28-letter collection of correspondence between James Monroe and William Crawford, the exhibition is on display at the Muscarelle Museum of Art on William & Mary’s campus through May 14, 2017.
Everyone knows these famous lines even if the rest of the poems escapes them. “A Visit from St. Nicholas,” more popularly known as The Night before Christmas, was written in 1823 by Clement C. Moore (1779-1863) and is a staple in many families’ holiday traditions. But what accounts for the poem’s enduring popularity?
In the basement of Swem Library is a room used mostly for storage. Along two walls are machines and wooden cases full of drawers. The machines are printing presses and the cases are filled with type – individual letters cast in metal, designed to be set by hand and printed on the machines. The basic principle–of metal type used in a press–was a technology in use for five hundred years in the West, from the mid-fifteenth century until the twentieth. Now, however, our printing is done by different machines, with jets of ink replacing the metal letters of the past. An upcoming exhibition at Swem Library examines printing from the early days to the present, using some actual equipment, as well as early modern rare books and modern day private press books, all from Special Collections.