In reviewing boxes labeled as “unprocessed ephemera,” a colleague and I came across something really cool. It is a tiny image of Abraham Lincoln framed in copper.
What do Indiana Jones and the Content Services Mosaic Intern have in common? We both spend our days searching for historical treasure: in my case that involves paging through old texts—often plain or even dirty in appearance—researching their autographs and marginalia, and mining valuable snippets of the lives of people important to both our local and national history. Occasionally, I do have the opportunity to handle a book whose cover reflects its treasure inside, like the Canon Missae ad Usum Episcorum, ac Praelatorum Solemniter, vel Private Celebrantium (1755), donated by Ralph H. Wark and Patrick Hayes.
SCRC has an active instruction schedule during the academic year, as professors from all departments bring their students in to see the amazing materials housed in Special Collections. However, many may be surprised to learn that SCRC houses objects, texts, and ephemera related to virtually every discipline.This week included a reminder of how rich a collection we have related to the arts. Professor Brian Kreydatus brought in his ART324 Relief Printmaking class to view the vast array of materials we have pertaining to the book arts and printmaking.
While his family was busy with operating the Eastern State Hospital in Williamsburg, Norfolk-born Alexander Galt, Jr. (1827-1863) possessed artistic aspirations. His main ambition was to become a first-rate sculptor—and indeed he completed several sculptures in his brief life of 36 years—yet Galt’s sketchbook, housed in the Special Collections archives, is a testament to his mastery of drawing not only portraits and the human form, but also animals, architecture, and landscapes. In 1860, Alexander took the sketchbook with him on a trip to Florence, Italy to study sculpting, and in it he produced numerous beautifully detailed pencil drawings of men, women and children, many whom he names. A detailed sketch of a sitter’s hair falling above her ear reveals Galt’s careful attention to the most intricate curves and details of his subject.