The island of Taiwan, once commonly known in the West by the Portuguese name of Formosa, has recently resurfaced in the news in connection with the One China policy. In the past it was also a subject of interest, although information coming from Taiwan itself was often scarce. Because of that scarcity it was possible in 1704 for a European to appear in London claiming to be a Formosan and to publish a book about the island that was fiction masquerading as a true travel account. Special Collections has just acquired a first edition of one such work with funds from the Gale H. Arnold ’58 Special Collections Endowment.
In the basement of Swem Library is a room used mostly for storage. Along two walls are machines and wooden cases full of drawers. The machines are printing presses and the cases are filled with type – individual letters cast in metal, designed to be set by hand and printed on the machines. The basic principle–of metal type used in a press–was a technology in use for five hundred years in the West, from the mid-fifteenth century until the twentieth. Now, however, our printing is done by different machines, with jets of ink replacing the metal letters of the past. An upcoming exhibition at Swem Library examines printing from the early days to the present, using some actual equipment, as well as early modern rare books and modern day private press books, all from Special Collections.
At Homecoming this year, Special Collections opened a new exhibit showcasing selected items from our holdings arranged from A to Z. In Alphabetical Order: A Selection of Materials from Swem Library’s Special Collections was developed through a team effort with several staff and student workers involved.
“Like Dorry, I have decided to keep a journal. It seems to me a very pleasant thing to write down the occurrences of one’s life so that one can read them later.” So writes twenty-year-old Rosanna May Munger in 1886 (January 1 1886, Diary #1). Rose, as she preferred to be called, would go on recording the rhythms of her daily routine until 1945, providing the modern reader with a unique window into the religious, social, and cultural life of an unmarried woman over several decades.