While his family was busy with operating the Eastern State Hospital in Williamsburg, Norfolk-born Alexander Galt, Jr. (1827-1863) possessed artistic aspirations. His main ambition was to become a first-rate sculptor—and indeed he completed several sculptures in his brief life of 36 years—yet Galt’s sketchbook, housed in the Special Collections archives, is a testament to his mastery of drawing not only portraits and the human form, but also animals, architecture, and landscapes. In 1860, Alexander took the sketchbook with him on a trip to Florence, Italy to study sculpting, and in it he produced numerous beautifully detailed pencil drawings of men, women and children, many whom he names. A detailed sketch of a sitter’s hair falling above her ear reveals Galt’s careful attention to the most intricate curves and details of his subject.
Nineteenth-century bound sheet music offers a window into domestic music making. The accouterments of musical life—instruments and sheet music—were recognizable symbols of elite taste and education. Much nineteenth-century sheet music was bound together into volumes by owners, sometimes with ornate, personalized covers and marbled endpapers. Collecting loose sheaves of music into a bound volume gave the music greater permanency and value; bound volumes became objects for display as well as use in the parlor. Symbols of status and taste, a piano and sheet music were ubiquitous fixtures of most middle- and upper-class American parlors.