Making Sense of Chaos

William & Mary Commencement Program, 1926Tasked with processing the Rosina Bowers Papers series of the Hamilton Family Papers, I opened two boxes of photographs and papers as one would expect to find them in someone’s home, rather than what you would expect in the stacks of an archive. I had two initial reactions to the yet unprocessed collection. I felt privileged to work with such intimate family items, but overwhelmed. Ordinarily, when processing a collection, an archivist considers the original organization of the collection upon its arrival. So how does one go about processing two boxes of undated, unidentified photographs and personal papers that lack any organization?

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Written Memories of Three Generations of Women (1915-1966)

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Photograph of the Caley FamilyThe Caley Family Papers in Swem Library’s Special Collections consist of letters and diaries spanning almost seventy years and three generations of Caley female descendants.   From the 1940s through the 1960s , all three generations of women lived, with no male presence, under one roof or within close distance of one another in Sierra Madre, California.  The Caleys were  devoutly  religious, middle class white women who maintained extensive correspondence with numerous friends and family members. It appears as though none of them had employment outside the home during the last twenty to thirty years of life. They seem to have supported themselves with rental income and stock dividends.

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Pieces of a Past Life

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Booth's Theatre. C.W. Carmer Scrapbook DetailA popular means of documenting personal interests and life events, the practice of scrapbooking dates back centuries.  In contrast to the modern practice of pasting family photographs and vacation mementos onto brightly colored paper, early scrapbooks were often compilations of newspaper clippings, artwork, hand-copied quotes, and letters.  In addition to being aesthetically interesting, old scrapbooks provide unique insight on the lives of their creators.  What did an individual decide was worthy to keep?  How does ephemera reflect personal, local, and national events?

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A Voice from the Dead

As a graduate assistant in the Special Collections Research Center in Swem Library (Swem SCRC), I have had the opportunity to do a number of exciting things, from exhibit installation to assisting during special events.  One of the main things I have done this year, however, is processing collections.  Collections come in all shapes and sizes and contain material on a variety of subjects.  Many of the collections housed here have to do with the College of William & Mary and Williamsburg.  Often, alumni and administrators donate their papers to the College, allowing researchers a hands-on, first person look at the history of William & Mary.

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Sealed in Wax and Wrapped in Vellum

One of the intriguing features of working at the Special Collections Research Center is the variety of material that I have had the opportunity to work with over the course of my time here. Between August 2010 when I began working at the SCRC until now in April 2011 I have been able to work with, process, organize, and write finding aids for several collections with diverse subjects that have fallen into a wide range of chronological periods. Some of the collections I’ve worked with have included American Civil War letters from a Union soldier in the 1860s, love letter correspondence between a young couple in 1910s and 1920s Virginia, papers of an African American civil rights activist in 1960s Virginia, early twentieth century broadsides and announcements for traveling vaudeville shows from a small Virginia printing company, late eighteenth century sale receipts and legal documents from Rockingham County, Virginia (some of which referenced the Revolution or British rule under George III), and the papers of a photographic historian of the 1970s living in New York City. The collection that I most recently finished organizing and writing a finding aid for, however, contained by far the most interesting group of documents I had the opportunity to work with over the course of the past year – the Chester McNerney Collection.

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